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FabFilter releases FabFilter Pro-Q 2 equalizer plug-in

High-quality equalizer plug-in

August 28, 2014

FOR Immediate RELEASE

FabFilter is proud to announce availability of FabFilter Pro-Q 2, a major update to the Pro-Q equalizer plug-in. New features such as Total Screen style, unique Natural Phase processing, Auto Gain, Spectrum Grab, Proceeds-Q interaction and gradient back up for all filter types brand Pro-Q two better than its predecessor in every way, while staying true to the original vision of combining loftier audio quality with unsurpassed interface workflow.

Completely redesigned EQ engine

For Pro-Q ii, FabFilter has completely redesigned the internal filter engine from the ground upwards, not only improving the existing Nothing Latency and Linear Phase processing modes, but besides introducing a unique Natural Phase mode. Also perfectly matching the magnitude response of analog EQ'ing, Natural Phase likewise closely matches the analog phase response, without introducing noticeable pre-ring or a long latency. Last but non least, FabFilter Pro-Q 2 is more than than twice equally CPU-efficient as its predecessor.

Universal filter slope back up

Very steep filter slopes of upwardly to 96 dB/octave are at present available, and uniquely, FabFilter Pro-Q 2 lets users change the slope of any filter type, not just the usual Depression/High Cut filters. This makes it possible to create super-narrow bell filters, very steep or gently sloping shelves, and more than. In addition to the existing Bell, Low/Loftier Shelf, Low/High Cut, and Notch filters, Pro-Q 2 besides features new Band-Pass and Tilt Shelf filter types.

More interface innovations

Furthermore, FabFilter Pro-Q ii is boosted past an abundance of user interface innovations. Spectrum Grab enables users to straight adjust peaks in the existent-time spectrum analyzer brandish. Pro-Q 2 offers flexible interface resizing, in add-on to a Full Screen mode that makes information technology easier than ever to practise ultra-precise adjustments. EQ Match lets users match the spectrum of another track in just a few seconds. All this power is neatly integrated into a gorgeous, uncluttered interface that lets users focus freely on music and workflow.

Original and trailblazing

Of course, Pro-Q 2 features everything that was great most the original Pro-Q — up to 24 EQ bands, innovative interface with unsurpassed workflow and multi-band option, per-aqueduct EQ'ing in 50/R or M/S style, existent-time spectrum analyzer, intelligent solo mode, double-click text entry, stereo/mono plug-ins, Pro Tools hardware surface support — every bit well as all the trailblazing FabFilter bells and whistles that users have come to expect and love — perfectly fine-tuned knobs and controllers, GPU-powered graphics acceleration, interactive MIDI Learn, undo/redo and A/B switch, Smart Parameter Interpolation for smooth parameter transitions, an extensive help file with interactive help hints, sample-accurate automation, advanced optimization, and more than.

Fundamental features:

  • Natural Phase mode to perfectly lucifer the magnitude response of analog EQ'ing while also closely matching the analog phase response, without noticeable pre-band or a long latency
  • Full Screen way for super-precise adjustments
  • Spectrum Catch: just grab and accommodate a peak in the real-time spectrum analyzer right away!
  • Universal gradient support for all filter types, for case enabling users to make ultra-narrow bong filters or very steep shelves. (Slopes upwards to 96 dB/oct are now supported, including eighteen, xxx, 36 and 72 dB/oct.)
  • Highly improved Linear Stage way, offering a better magnitude response and smoothen changes without attachment effects
  • New EQ filter types: Tilt Shelf and Band-Pass, in addition to the existing Bong, High/Low Cutting, High/Low Shelf and Notch filter shapes
  • Gain-Q interaction option: when enabled, Q and gain influence each other in a pleasant fashion often found in analog mixing consoles
  • EQ Friction match feature to automatically match the spectrum of another track via the side-chain input
  • Automobile Gain automatically adjusts the output proceeds to recoup for the audible gain loss or increase introduced by the active EQ bands
  • Improved spectrum analyzer with adaptable range, tilt, freeze, and horizontal zooming
  • Optional piano roll display
  • Flexible interface resizing
  • Total output level meter
  • Phase Capsize option
  • Highly improved CPU optimization: Pro-Q 2 uses less retentiveness and is more than twice as efficient every bit its predecessor!
  • Improved analog magnitude matching in Nix Latency mode

FabFilter Pro-Q 2 is at present available for EUR 149, USD 199 or GBP 124, supporting both Windows and Mac OS 10 in VST and VST iii, Audio Units, AAX, RTAS and AudioSuite plug-in formats. Bundles with FabFilter Pro-Q 2 and other FabFilter plug-ins are also available at: www.fabfilter.com/shop.

Existing FabFilter customers can purchase or upgrade to Pro-Q 2 with very bonny discounts by logging in to their online user account at: www.fabfilter.com/myaccount.

System requirements on Windows are either Windows 8, 7, Vista or XP and a VST ii/3 host or Pro Tools, or Mac Bone X ten.5 or college with Intel processor, and an Audio Units host, VST 2/3 host, or Pro Tools. Both 32-bit and 64-bit hosts are supported.

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